Sylvia Plath. 1932-1963
“I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones and variations of mental and physical experience possible in life. And I am horribly limited.”
i flew bikes.: (via theyellowbrickroad) drop (via cowardofconscience)
The main problem I have with Men’s Rights Activists is that their name really doesn’t do them justice. They’re Straight Cis White Men’s Rights Activists. I have NEVER seen Men’s Rights Activists campaign for the inclusion of trans* men in their spaces.
I have NEVER seen Men’s Rights Activists campaign to end the social stigma around black fatherhood. I have NEVER seen Men’s Rights Activists campaign for better pay and equal career mobility for men of colour. I have NEVER seen Men’s Rights Activists actively campaign for more gay men’s rights. I have NEVER seen Men’s Rights Activists advise others in their group on how using faggot to emasculate men who aren’t part of their cause is alienating and marginalising other MEN.
I have NEVER seen Men’s Rights Activists campaign, raise awareness of, or support victims of male rape unless it’s in order to derail a discussion around female victims of rape. I have NEVER seen Men’s Rights Activists campaign, raise awareness of, or support male victims of domestic abuse unless it’s in order to derail a discussion around female victims of domestic abuse.Men’s Rights Activists are hypocrites and frauds.
They’re bitter privileged white men who don’t want to campaign for the rights of men - they want to campaign to keep their privilege unchecked and their ability to discriminate against others.If you want to be a real Men’s Rights Activist - be a fucking Feminist. Peace out.
By telling the oppressed that their anger is unjustified, you allow the oppression to continue. I know it’s hard to stay calm. I know it’s scary. But you’re coming from the safe place and they aren’t. Just please … Try to be more understanding. /// r.i.d (via inkskinned)
When you are hurting, there will always be people who find a way to make it about themselves. If you break your wrist, they’ll complain about a sprained ankle. If you are sad, they’re sadder. If you’re asking for help, they’ll demand more attention.
Here is a fact: I was in a hospital and sobbing into my palms when a woman approached me and asked why I was making so much noise and I managed to stutter that my best friend shot himself in the head and now he was 100% certified dead and she made this little grunt and had the nerve to tell me, “Well now you made me sad.”
When you get angry, there are going to be people who ask you to shut up and sit down, and they’re not going to do it nicely. Theirs are the faces that turn bright red before you have a chance to finish your sentence. They won’t ask you to explain yourself. They’ll be mad that you’re mad and that will be their whole reason alone.
Here is a fact: I was in an alleyway a few weeks ago, stroking my friend’s back as she vomited fourteen tequila shots. “I hate men,” she wheezed as her sides heaved, “I hate all of them.”
I braided her hair so it wouldn’t get caught in the mess. I didn’t correct her and reply that she does in fact love her father and her little brother too, that there are strangers she has yet to meet that will be better for her than any of her shitty ex-boyfriends, that half of our group of friends identifies as male - I could hear each of her bruises in those words and I didn’t ask her to soften the blow when she was trying to buff them out of her skin. She doesn’t hate all men. She never did.
She had the misfortune to be overheard by a drunk guy in an ill-fitting suit, a boy trying to look like a man and leering down my dress as he stormed towards us. “Fuck you, lady,” he said, “Fuck you. Not all men are evil, you know.”
“Thanks,” I told him dryly, pulling on her hand, trying to get her inside again, “See you.”
He followed us. Wouldn’t stop shouting. How dare she get mad. How dare she was hurting. “It’s hard for me too!” he yowled after us. “With fuckers like you, how’s a guy supposed to live?”
Here’s a fact: my father is Cuban and my genes repeat his. Once one of my teachers looked at my heritage and said, “Your skin doesn’t look dirty enough to be a Mexican.”
When my cheeks grew pink and my tongue dried up, someone else in the classroom stood up. “You can’t say that,” he said, “That’s fucking racist. We could report you for that.”
Our teacher turned vicious. “You wanna fail this class? Go ahead. Report me. I was joking. It’s my word against yours. I hate kids like you. You think you’ve got all the power - you don’t. I do.”
Later that kid and I became close friends and we skipped class to do anything else and the two of us were lying on our backs staring up at the sky and as we talked about that moment, he sighed, “I hate white people.” His girlfriend is white and so is his mom. I reached out until my fingers were resting in the warmth of his palm.
He spoke up each time our teacher said something shitty. He failed the class. I stayed silent. I got the A but I wish that I didn’t.
Here is a fact: I think gender is a social construct and people that want to tell others what defines it just haven’t done their homework. I personally happen to have the luck of the draw and am the same gender as my sex, which basically just means society leaves me alone about this one particular thing.
Until I met Alex, who said he hated cis people. My throat closed up. I’m not good at confrontation. I avoided him because I didn’t want to bother him.
One day I was going on a walk and I found him behind our school, bleeding out of the side of his mouth. The only thing I really know is how to patch people up. He winced when the antibacterial cream went across his new wounds. “I hate cis people,” he said weakly.
I looked at him and pushed his hair back from his head. “I understand why you do.”
Here is a fact: anger is a secondary emotion. Anger is how people stop themselves from hurting. Anger is how people stop themselves by empathizing.
It is easy for the drunken man to be mad at my friend. If he says “Hey, fuck you, lady,” he doesn’t have to worry about what’s so wrong about men.
It’s easy for my teacher to fail the kids who speak up. If we’re just smart-ass students, it’s not his fault we fuck up.
It’s easy for me to hate Alex for labeling me as dangerous when I’ve never hurt someone a day in my life. But I’m safe in my skin and his life is at risk just by going to the bathroom. I understand why he says things like that. I finally do.
There’s a difference between the spread of hatred and the frustration of people who are hurting. The thing is, when you are broken, there will always be someone who says “I’m worse, stop talking.” There will always be people who are mad you’re trying to steal the attention. There will always be people who get mad at the same time as you do - they hate being challenged. It changes the rules.
I say I hate all Mondays but my sister was born on one and she’s the greatest joy I have ever known. I say I hate brown but it’s really just the word and how it turns your mouth down - the colour is my hair and my eyes and my favorite sweater. I say I hate pineapple but I still try it again every Easter, just to see if it stings less this year. It’s okay to be sad when you hear someone generalize a group you’re in. But instead of assuming they’re evil and filled with hatred, maybe ask them why they think that way - who knows, you might just end up with a new and kind friend.
In these grotesque works, we find that the writer has made alive some experience which we are not accustomed to observe every day, or which the ordinary man may never experience in his ordinary life. We find that connections which we would expect in the customary kind of realism have been ignored, that there are strange skips and gaps which anyone trying to describe manners and customs would certainly not have left. Yet the characters have an inner coherence, if not always a coherence to their social framework. Their fictional qualities lean away from typical social patterns, toward mystery and the unexpected. It is this kind of realism that I want to consider.Flannery O’Conner, Some Aspects of the Grotesque in Southern Fiction (via borgevino)
…if the writer believes that our life is and will remain essentially mysterious, if he looks upon us as beings existing in a created order to whose laws we freely respond, then what he sees on the surface will be of interest to him only as he can go through it into an experience of mystery itself. His kind of fiction will always be pushing its own limits outward toward the limits of mystery, because for this kind of writer, the meaning of a story does not begin except at a depth where adequate motivation and adequate psychology and the various determinations have been exhausted. Such a writer will be interested in what we don’t understand rather than in what we do. He will be interested in possibility rather than in probability. He will be interested in characters who are forced out to meet evil and grace and who act on a trust beyond themselves–whether they know very clearly what it is they act upon or not. To the modern mind, this kind of character, and his creator, are typical Don Quixotes, tilting at what is not there.
I think it is safe to say that while the South is hardly Christ-centered, it is most certainly Christ-haunted. The Southerner, who isn’t convinced of it, is very much afraid that he may have been formed in the image and likeness of God. Ghosts can be very fierce and instructive. They cast strange shadows, particularly in our literature. In any case, it is when the freak can be sensed as a figure for our essential displacement that he attains some depth in literature.
The problem for such a novelist will be to know how far he can distort without destroying, and in order not to destroy, he will have to descend far enough into himself to reach those underground springs that give life to big work. This descent into himself will, at the same time, be a descent into his region. It will be a descent through the darkness of the familiar into a world where, like the blind man cured in the gospels, he sees men its if they were trees, but walking. This is the beginning of vision, and I feel it is a vision which we in the South must at least try to understand if we want to participate in the continuance of a vital Southern literature.
Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true?
We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La.
They can keep their heaven. When I die, I’d sooner go to Middle-Earth.
- George R.R. Martin (via indisposablehero)
This is one of the most beautiful quotes I think I have ever read. I love it, and I will treasure it for my entire life.
A Witch is born out of the true hungers of her time. I am a child of the poisonous wind that copulated with the river on an oil-slick, garbage infested midnight. I turn about on my own parentage. I inoculate against those very biles that brought me to light. I am a serum born of venoms. I am the antibody of all time.
Long After Midnight, Ray Bradbury (via mirroir)
Ladies and gentlemen, the Master.
You don’t ever have to apologize for feeling sad. You aren’t being too sensitive. You aren’t imagining things or being overdramatic. You’re being true to yourself by honoring your emotions, and that is never something you have to feel ashamed of. Whether you have a need that isn’t being met, an old wound that’s been reopened, a person in your life who is making you feel small, a painful memory of something from the past, or an emptiness from the loss of someone you care about — there is always something underlying our sadness, and whatever it is, it’s important and valid. Whatever it is, it deserves to be expressed and felt.Daniell Koepke (via internal-acceptance-movement)